#wild that no German movies made it on to this list

[wowbright]

@daisyishedwig tagged me to "post the posters of your top 9 favourite films, in order!"

I'm going to do gifs instead because that's less work for me. Also, I have many many favorite movies, so these are the nine(+) of my favorite movies that I can think of at the moment.

Bonus:

[cinemaocd]

My april films list

The Scar/Blizna (1976): When I was in college my roommate was in a Polish class and she had access to a library of films and we watched a lot of Krzysztof Kieślowski and they are all good, I think. This one is about a mid level manager who inherits a white elephant of a project: clear a forest to build an industrial plant. The local people and the forest itself turn against him. It's magical realism with that Slavic touch of fatalism that always feels relevant.

Sweetie (1989): I saw this in the 90s at a film festival and so it was a bit of a shock when The Piano came out and it felt like you could not have two more different films at least on the surface, but both are directed by Jane Campion. Sweetie is a frank and often dark comedy about an ungovernable woman--a cautionary tale about the infantilisation of women, seen through the eyes of her long suffering sibling.  Akira (1987): Iconic anime with a beautiful smooth style. Copied so frequently it can look a bit basic to those who've grown up with its imitators, but the heart of it is a great score and atmospheric noir setting that make the set pieces like the night motorcycle ride through Tokyo the perfect accompaniment to millennial angst. Near Dark (1987): Katherine Bigelow's shot at the sexy vampire genre features most of the cast of Aliens as a troop of vampires who follow around a Confederate soldier. Bill Paxton does an entertainingly nasty turn as one of the baddies. Feels like an Aliens/Lost Boys AU and that is a compliment, really.

Cleo from 5-7 (1962): Not to be like this already in what amounts to a two sentence blurb, but the summary for this film describes Cleo as a hypochondriac? Excuse me but she is waiting around to find out if she has cancer. It seems to me that this is a movie about the way women are dismissed and not seen, even when they are famous and actually the center of attention wherever they go. On the surface she looks like a spoiled diva, but behind the scenes we see she is frightened and lonely. Anyway fuck the patriarchy and Free Cleo! Twelve Angry Men (1957): We rewatched this because my son is on some weird reddit sub thread discord where everyone rpgs as jurors from this movie...I'm not joking. Imagining a super niche fandom for Jack Warner. It exists. THe internet is a wild place. Anyway, this holds up. Don't mix up Syndey Lumet and Sydney Pollack like I did, lol. Embarrassing!

Ashes and Diamonds (1958): Polish film master, Andrez Wadja's be bop riff on neo realism, is a chronicle of the final day of German occupation, and a Hail Mary attempt by a young resistance fighter to wrest the country back from the Soviet Army which is already there. It's a hopeless mission, born of drunken desperation in smokey back rooms, one that comes apart in daylight. It's feels like Rebel without a Cause, but like...he has a cause? There a sense of tragic waste that mirrors Nicholas Ray's vision of restless American youth. Scoop (2024): A rather weak entry in the behind the scenes journalism drama genre that I seem to be unable to resist in any form. This has Billy Piper as a booking agent who manages the coup of getting Prince Andrew to sit down for an interview with the press about the pedophilia allegations. Your average episode of The Thick of It, probably has more meat than this made for TV film.

The Two Popes (2019): For those playing along at home this was my fourth time watching this. What can I say, two of my fave old lovies flirting away in Pope costumes. It's a comfort film. You are not immune to propaganda. Bulworth (1998): Featuring just about every working black actor of the era, this movie was kind of ahead of its time. About a liberal politician who is so depressed about the state of his party being owned by powerful business interests that he decides to commit suicide by hiring a hitman to kill him so that his family will at least get the insurance. Warren Beatty at his most ridiculous, this is underrated gem.

Great Expectations (1974) After revisiting this version, I went back to David Lean, which is no surprise. This is a made for TV movie that has a lot of familiar faces from 50s British film including Robert Morley and my boi Anthony Quayle. Michael York is Pip. Heat (1995): I might become slightly obsessed with Michael Mann after watching all this moody atmosphere punctuated with bursts of violence, with long passages set to a synth score that made Chris Fleming want to crash his car. Some beautiful lighting and camera work in the final set piece which takes place on an airport runway. Iconic and yet, bloated and overlong and I just don't know why I like it so much? Maybe it's Al Pacino's reactions which are just so off the wall in some scenes, and the disconcerting normality of the other people in the same scenes, ya know? Like they are in two different movies. I shot Andy Warhol (1996): Watched this for Jared Harris (who is adorable as always and terrific as always and completely sinks into the role as always) and came away remembering why Lily Taylor was a 90s icon/IT girl and boy can she act. Like wow. Andy Warhol is the title character, but it's more about Valerie Solanas the radical feminist lesbian who shot him because she believed he stole her work. (The movie implies that he did, a little bit...). Her SCUM manifesto remains controversial to say the least, but her story is a utterly heartbreaking, told with humanity and nuance. Actually a great choice for Pride month because it talks about gay history and it's not pretty or comfortable but it's necessary to learn. Hopscotch (1980): Delightful comedy starring Walter Matthau and Judy Collins as a spy couple. Combines actually decent spy thriller with actually funny stuff and it's romantic and sweet as well.

[if-you-fan-a-fire]

"During the winter of 1918–19, Ottawa was rattled by the extreme rhetoric it was hearing from some of the country’s labour leaders. Police spies were sending in alarmist reports that unions were seething with revolutionary discontent. In response, the government set in motion a campaign of counter-propaganda to discredit the Reds. Chief press censor Ernest Chambers routinely fed information gleaned from police reports to members of the print media. Chambers kept his eyes peeled for anti-Red articles in the daily press so that he could dash off a letter offering the author more inflammatory information about the present danger. He did his best to orchestrate a comprehensive propaganda campaign, involving the press, university professors, service clubs, churches, even movies, all fuelled by information of the right type provided by his department. In January he wrote to the presidents of several major universities asking that they makes speeches or write articles exposing the fallacies of “extreme red Socialism and Bolshevism.” At the same time, he warned against revealing the existence of this anti-Red campaign. “Were the agitators conducting this propaganda able to plead that they are being made the subject of organized attack,” he wrote the president of the University of Toronto, Sir Robert Falconer, “it would aid them tremendously in their campaign with the disaffected.” (Falconer wrote back declining the invitation to take part in Chambers’ campaign: “If prices could be kept down and employment could be assured,” he told the censor, “I think many of our immediate troubles could be quickly surmounted.”)

The kind of information Chambers wanted to disseminate could be found in the Canadian Annual Review of Public Affairs, published by J. Castell Hopkins, a prolific author of popular biographies and encyclopedias. Hopkins’ portrait of the Soviet Union under Bolshevik rule exemplified the mixture of misinformation, fear, and smug middle-class superiority which fuelled anti-Red hysteria in Canada. “In Russia,” he told his readers, “disorganization, starvation, individual license, robbery, brutal crime, the over-throw of social laws and religious influence and ordered government, wholesale immorality, were natural products of the rule of men who were ignorant of all but wild theories nursed in malignant or disordered minds.” For Hopkins, Bolshevism simply meant “wholesale pillage and the murder of the classes owning money or property.” Things were better under the tsars, he said; at least the Romanovs were honest and meant well. The Bolsheviks were terrorists who roused the basest instincts in the Russian masses and rode them to power. Life in Russia, he told his readers, had become a living hell. There was no free speech, no democracy, no private property, only terror, mass executions, and torture,

including mutilations of all kinds, slow starvation, burning alive, piercing with bayonets [...], deliberate breaking of arms and legs, stamping on wounded living bodies with hob-nailed boots, nailing officers’ shoulder straps to their bodies, thrusting of gramophone needles through finger nails, blinding in most brutal forms.

Hopkins’ list of bizarre atrocities was reminiscent of the most extreme anti-German propaganda during the war, now turned against a new enemy, the Bolshevik.

Implicit in Hopkins’ overheated prose was a warning to his Canadian readers: This could happen here. The Industrial Workers of the World (IWW) and other socialists preached a form of class warfare every bit as frightening as their Russian counterparts, he said. Working under the cover of the One Big Union and organizations such as the Social Democratic Party, they intended to destabilize the economic situation with general strikes and exploit the chaos to seize power from the government. According to Hopkins, this was no theoretical danger. “At the end of 1918 there were 21 Soviets established in the country awaiting for action,” he announced, without any evidence whatsoever.

One powerful institution that shared the concern about the insidious threat of Bolshevism was the Canadian Pacific Railway. In the fall of 1918, John Murray Gibbon, CPR publicist, broached the subject with filmmaker George Brownridge. Gibbon was one of the country’s leading intellectuals. A graduate of Oxford University and an experienced journalist, he had joined the CPR’s London operations in 1907 and had moved to the company’s Montreal head office just before the war. He was not only an ambassador for the railway but, as author and festival impresario, he was an energetic promoter of Canadian culture as well. The CPR had a problem with Bolsheviks stirring up its workers, Gibbon told Brownridge, and he thought that the film industry could do something about it. During the war Brownridge had established a studio, Canadian National Features, in Trenton, Ontario, where he managed to make two feature films before going broke. Neither of those films was ever released, but the indefatigable Brownridge was back in business at Trenton two years later as the Adanac Producing Company (the name is Canada spelled backwards) and eager to attract corporate support from the likes of the CPR.

After talking to Gibbon, Brownridge, armed with a suitable script about a Red plot to take over a trade union, came back to the railway for financial help. Eventually the CPR and several other large employers did put up the money. CPR president Edward Beatty made his position clear in a letter that he wrote to journalist and president of the Canadian Reconstruction Association, John Willison.

Of course there can be no doubt that from one end of the country to the other an effort must be made to stamp out this extreme socialism which practically amounts to disloyalty…

Brownridge began work on his film, called The Great Shadow and starring Tyrone Power Sr. The film was directed by Harley Knoles, who had just completed another anti-Red feature in the United States called Bolshevism on Trial co-starring his Canadian-born wife Pinna Nesbitt. The final script of the new film included most of the elements of Red Scare melodrama: vicious Bolsheviks determined to destroy society by setting one class against another; a handsome secret service agent to provide love interest; a fairminded employer who only wants what is best for his workers; and a “responsible” labour leader who must wage a life-and-death struggle to keep his union free of extremism. The Great Shadow was one of several Red Scare features to appear at this time in Canada and the US. The newest forms of popular entertainment were not ignored when it came to combatting the threat of Bolshevism. The film was finished too late to influence opinion during the crucial spring of 1919, but when it did reach the screen in the late fall it met with widespread critical praise. Unfortunately, no copy has survived.

Another busy scaremonger was Charles Cahan. In January Cahan, whose extreme views had managed to alienate most of his support in the federal Cabinet, resigned from his job as director of public safety. He had failed to convince the government to create a secret service modelled on the American Bureau of Investigation, and with his departure the entire Public Safety Branch was abolished after just three months in operation. In a letter to Prime Minister Borden, Cahan explained that,

I tried in vain, after your departure [for Europe], to obtain a hearing from your colleagues; but they treated my representations with such contemptuous indifference, that there was for me no alternative but to retire quietly and await events.

In Cahan’s view, the ultimate aim of the “Reds” was to “kick the Government off Parliament Hill.”

Cahan had no intention of retiring quietly; far from it. He continued to speak out at every opportunity about the Bolshevik threat, and one of his speeches, “Socialistic Propaganda in Canada,” was printed as a pamphlet and had wide distribution. In it, he summarized the four main doctrines of “International Socialism” as he understood them. First of all, class warfare between workers and capitalists caused “envy and hatred of all who have acquired property of any kind whatsoever.” Second, the state acquired ownership of all means of production and responsibility for all social relationships. Third, only the interests of workers had any importance. And last, the capitalist class was stripped of all possessions. Propaganda in favour of these views was flooding the western world, said Cahan. In Canada it was mainly the IWW that was fomenting class warfare, especially among the large “alien” population. If this was allowed to continue, he warned, there would be “tumults and disorders” that would require the intervention of the army. He suggested denying the right to strike, keeping a watchful eye on labour organizations and the foreign-language press, restricting immigration, and the speedy acculturation of immigrant children in the schools. Cahan’s basic message was that anyone who accepted the concept of class differences was contributing to a civil war in Canada that threatened democratic institutions and individual liberties.

Cahan carried his campaign to the pages of Maclean’s magazine. Under the ownership of Colonel John Bayne Maclean and the editorship of Thomas Costain, this magazine had become a major organ of the Red Scare. Cahan sounded his familiar warning about the IWW and other “Red” elements who were spreading “pacifist, socialistic, revolutionary and seditious literature” and organizing “societies for the insidious propagation of doctrines destructive of our existing political, social and industrial institutions.” He revealed that these activities were funded by thousands of dollars provided by agents of the Russian government, and he even hinted that the conspiracy to overthrow the government reached into the corridors of power in Ottawa. In the absence of Borden (in Europe), he wrote, the cabinet had been “utterly lacking in unity of purpose and in courageous action.” In case after case, Cahan claimed, federal authorities had intervened to secure the release of agitators who had been arrested for their activities. And, of course, had he not been removed from any position of influence under suspicious circumstances?

Colonel Maclean was an enthusiastic proponent of conspiracy theories. A long-time member of the militia, he had encouraged the government to take a hard-line, anti-Hun, anti-pacifist approach during the war. At the end of 1918, he wrote in his magazine that the Germans, had they won the war, had plans to dismember Canada and distribute parts of it to their leading bankers, nobles, and businessmen. Quite literally, therefore, the Canadian army had saved the country from extinction; it only made sense, wrote Maclean, to put the army in charge of society now that the war was over. He recommended, for instance, that military men take control of the school system. “It makes one dizzy to think of the great things that could be accomplished,” he wrote.

The January 1919 edition of Maclean’s carried an article titled “Is Bolshevism Brewing in Canada?” to which the author, Thomas Fraser, answered with an emphatic “Yes.” The magazine had commissioned Fraser to discover if Bolshevism was present in Canada. His conclusion: “There is a bold, systematic and dangerous effort being made to lay the fuse of Bolshevism from one end of the Dominion to the other.” The IWW was behind it, he explained. “Their idea is to seize control of all industries and abolish the wage system.” Their aims were completely hostile to democracy, Fraser warned, and to the middle class. The “root of the whole matter” was that “much of the good old Anglo-Saxon stock” was gone, slaughtered in the recent war, and Canada was filled up with “workmen of foreign extraction” sympathetic to Bolshevik propaganda.

One appreciative reader of Fraser’s article was press censor Ernest Chambers. He wrote Colonel Maclean a congratulatory note in which he warned that “the situation is very much more dangerous, in my opinion, than the public has the least conception of.” Encouraging Maclean to continue to raise the alarm, he concluded:

I am firmly convinced that, without the real solid, sensible people of the country taking into their own hand the active combatting of this Bolshevist propaganda, we run the risk of reaching, within measureable time, the conditions which at present prevail in Russia.

Among the more extreme anti-Red fanatics, a rationale seemed to be emerging that justified taking the law into their own hands to preserve the nation from revolution.

In the June 1919 issue of his magazine, Maclean himself took Chambers’ advice. In a provocative article titled “Why Did We Let Trotzky Go?” he blamed unnamed “politicians or officials” in Ottawa for allowing Trotsky to leave his Amherst internment camp and return to Russia to lead the revolution there. Trotsky, claimed Maclean, was a German agent paid to take Russia out of the war. If Canada had held onto him, the war would have been shortened by a year. This was a familiar belief at the time, but Maclean went further. He claimed that Trotsky had organized groups of revolutionaries in Toronto and Ottawa who were poised to take over the country. Charles Cahan had revealed some of this threat, wrote Maclean, but then “the Trotzky influences got busy and Mr. Cahan was ordered to cease his inquiries and send in his resignation.” (Despite the allegations of Cahan and Maclean, no evidence was ever produced that Leon Trotsky had supporters within the Canadian government who were twisting its policies in his favour.)

By the August issue, Maclean was getting even more alarmist. By then, of course, the Winnipeg General Strike had taken place. Not surprisingly, Maclean’s saw it as a prelude to revolution. The Bolsheviks were pouring money into the country to cause strikes and encourage social unrest, the Colonel wrote. It was all a conspiracy organized by the Germans and their Russian Bolshevik agents to disrupt western countries so that Germany could rebuild its economy and regain its markets. For Maclean, and for many others, the Hun and the Bolshevik were indistinguishable. In their view, the war was still going on and it was being fought in the streets of Winnipeg and other Canadian cities."

- Daniel Francis, Seeing Reds: the Red Scare of 1918-1919, Canada’s First War on Terror. Arsenal Pulp Press, 2011. p. 58-62.

[auxiliarydetective]

OC Masterlist - German media!

Note: Not all of these are actually from Germany, but I've also put fandoms here that I'm likely to post about in German.

As per usual, everyone's age is listed at their introduction

Fandoms featured:

Die Drei ??? (books/audio dramas & early movies, 1964-?)

Jim Knopf und Lukas der Lokomotivführer (movies, 2018-2020

Der Kleine Prinz (cartoon, 2010-2017)

Der Räuber Hotzenplotz (2006 movie)

Die Rosenheim-Cops (2002-?)

Die Vampirschwestern (movies, 2012-2016)

Die Drei ??? (book/audio drama series & early movies; 1964-?)

-> Jelena

(Technically, she isn't an OC but a canon character, but she's a rare canon character that I created an AU version of and made the main focus of my hyperfixation for about a year, so I've decided to grant that AU version OC status)

"Ждать ли чьей-то ручечки, ручки? А кто подаст мне ручку, девочки?" - Manizha, in: RUSSIAN WOMAN

Full name: Jelena Atropos Charkova

Birthday: February 8th (16 years old)

Identity: lesbian but does occasionally fall for boys, cis female

Canon tag: x | Auxiliary!tag: x | Fic: -

Jelena and Justus don't get along. It's a known fact. It's a constant battle of wits that drives them apart. But when they're inevitably stuck together on a trip to South Africa, will they bury the hatchet?

JIM KNOPF (movies; 2018-2020)

-> Helena

"Eine Insel mit zwei Bergen und dem tiefen, weiten Meer, mit vier Tunnels und Geleisen und dem Eisenbahnverkehr - nun wie mag die Insel heißen, rings herum ist schöner Strand? Jeder sollte einmal reisen in das schöne Lummerland." - Michael Ende, in: Jim Knopf und Lukas der Lokomotivführer

Full name: Helena

Birthday: March 29th (14 years old)

Identity: lesbian, cis female

Faceclaim: Holly Earl

Tag: x | Fic: -

Helena is the daughter of steam engine driver Lukas, one day having been brought to the shores of Morrowland by the postman's boat, with her mother nowhere to be found. Unlike her father and her best friend Jim, she's more focused on books, languages and foreign cultures than machinery and mechanics, but she's happy on the little island with its two mountains. But then the king declares that Lukas's beloved steam locomotive Emma has to be removed, and Lukas, Jim, Emma and Helena all leave the island for lands unknown. Promptly, they find themselves setting out to rescue a kidnapped princess, and Helena starts noticing mysterious scaled rashes across her skin.

DER KLEINE PRINZ (originally: Le Petit Prince) (animated tv show) (2010-2017)

-> Sonata

"Und du weißt: Was man auch tut, nur mit dem Herzen sieht man gut." - Der kleine Prinz Intro Theme

Full name: Sonata of the Utopians

Birthday: September 12th (she's a child)

Identity: cis female

Tag: x | Fic: -

Sonata is the sister of the diva Euphonia, who keeps their planet in rhythm with her singing. But without her sister’s voice, the planet falls into chaos, and Sonata’s voice isn’t strong enough to replace her. Using her special gift of imagination that makes her songs come alive, she sends a message into space in search of help – and the Little Prince answers her call.

DER RÄUBER HOTZENPLOTZ (2006 movie)

-> Chryssi

"Tanz kleine Waldfee im rauschenden Blau. Versprühe die Freude, die Nacht ist ganz lau." - Heidemarie Andrea Sattler, in: Kleine Waldfee

Full name: Chrysantheme

Birthday: May 12th (says Chryssi - she actually has no birthday and is a perpetual child)

Identity: ??? (as cis as a supernatural being could be, aroace through lack of a better term)

Faceclaim: ?

Tag: x | Fic: -

A wild nature spirit, Chrysantheme protects the local forest, but she's perpetually bothered by a mean and stupid burglar and an annoying wizard in his stupid castle. However, things change when two boys from the nearby village come to her forest, looking to catch the burglar.

DIE ROSENHEIM-COPS (2002-?)

-> Eva

"Y anque los vientos de la vida soplen fuerte, soy como el junco que se dobla pero siempre sique en pie." - Resistiré 2020

Full name: Kriminalkommissarin (~ Inspector) Eva Gardner Rivero

Birthday: July 9th, 1979 (30 years old)

Identity: pansexual, polyamorous, cis-female

Faceclaim: Ísis Valverde

Tag: x | Fic: -

Eva has been to many places in the world. Originally from Argentina, with an indigenous mother and a German-Canadian father, she studied in the US before moving to Germany and ending up working for the police. But her new positioning in Rosenheim, Bavaria, poses yet more challenges, with far too many murders cases, not one but two really attractive men, and very chatty coworkers.

DIE VAMPIRSCHWESTERN (movies; 2012-2016)

-> Circe

"We're gonna get sky-high and create a new world where somebody might die but nobody gets hurt." - Måneskin, in: HONEY (ARE U COMING?)

Full name: Circe Kairos

Birthday: September 2nd (160 years old)

Identity: bisexual

Faceclaim: Triz Pariz

Tag: x | Fic: -

Circe is a vampire and the younger sister of vampire rockstar Murdo, whom she accompanies to his tours. Things start to grow a little out of control when he falls in love with the half-vampire Dakara - who just so happens to be the daughter of the band manager's arch nemesis. But the world can always use a bit more chaos, right?

[blueberrypancakesworld]

https://www.tumblr.com/ria-coolgirl/720309005020446720/fruit-emoji-ask-game-for-fic-writers

🍍🫐 for the fruit asks

Hello my dear @ria-coolgirl I'm finally happy to answer something like this (I find this very cool because followers learn more about you and your stuff and I I just like that)

Pineapple : So AU first what I like. I like alternative universes where everything is darker, bloodier and full of fear and pain. I don't know why but like making kids/youth series darker and a big what if we just throw in a couple of guns, vampires and monsters and see what it's like. (I already did that with die wilden kerle (the wild soccer bunch), a German children's series where I just threw in weapons, a what if after the fifth film there was something else and a bit of gayness and violence (and it went down really well and mayn liked it which made me really happy). What I also like for alternate universes is when you put two different fandoms together (can be just one fandom) and (characters have to harmonise well and it has to be well written) and maybe send them to a different time than the one they are in. But not in a ,,Oh my god where are we" way, but that it has always been set in that time.

But what I don't like at all is that I haven't read anything good for it, for example harry potter but without magic or you take away the skin feature and just make it normal like school life or something that I just find kind of boring.

One thing I don't like in fanfiction in general (everyone can read whatever they want, I just don't click on it and look for something else) is A/B/O or Omegaverse. I just don't like it at all which is not least due to the fact that this au (if you can call it that) disturbed me in the mha fandom (but I am also (luckily) not in the mha fandom which scares me and I found the manga boring). I don't know this whole heatwave and knots and male pregnancy thing is not mine and I don't like it (maybe I hate it more than a little bit but seriously everyone can read what they want)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Blueberry : So coming to the blueberry I'll just list a few fandoms

The Adventures of Tintin : Tintin and Sakharine I know there are a few things about the 2011 film on ao3. But I think they both have so much potential, especially in the darker obessions area which I just love. This cat and mouse game between the two and how Skaharine actually wants to get rid of Tintin only to have him for himself - I like the concept a lot.

House of the Dragon : A shipping I have only read a one-shot for is Otto Hightower and Viserys Targaryen. I know it sounds weird but I like to think that maybe they had a bit of a thing together (like Rhaenyra and Alicent) and that broke up for whatever reason. I like to imagine that it is more than just greed for the throne that drives otto and not perhaps revenge that Viserys has turned away from him.

Horror fandoms : So in a little thing of its own a shipping which is a crossover ship. Daniel Matthews from Saw and Quentin from the Nightmare on Elm Street remake. I wrote a one-shot for them and I think they have so much potential. Trauma bonding and angst and just fluff for the two of them together.

Disney : Another crossover ship but that is due to disney crossovers amvs on youtube. Dimitri from Anastasia and Jim from the treasure planet. The two have become my favourite crossover ship simply because of the videos and I just like it.

Fantastic beast and where to find them movie 3 : Anton Vogel and Helmut my sweet german boys. I know that they have I think like zero interactions but me and a friend of mine just love them together in a obsesssive you are mine I'm your way. I also have writen a Four-Shot as my own au (where Anton and Helmut are together, Helmut was a soldier and an ex prostitute and got into buisenss with Anton. Also Percival Graves lives and is together with Credence)

Apart from that, I think that's it for now. I know it's kind of small, but I can't really think of that many at once. I hope it was interesting anyway :)

[snickety-lemons]

Dear Hearts/Tadpoles/Devils Listening Rec List

Can easily admit I'm big on procrastinating (especially when my head's going through 100 things at all times, multiple cylinders firing at once at brisk pace...)

But finally, here's my personal 'if you enjoy TAD, you might also enjoy these' list ! (Separated into parts because boo, you can only do 10 audios per post)

The Swell Season -

I can't, say enough about their music. It takes you through a lot of the same emotions, their voices are incredible and the simple mainframe of two people who come from completely different places; each with their different talents but making a perfect harmony together anyway... just, aghhh. And so much of it has a beautifully haunting quality to it. Albums are The Swell Season, Strict Joy, and the Once Movie OST.

Faun -

This band will instantly transport you, if not directly to the Middle Ages itself then directly to your local renaissance festival. German language + a team of medieval instruments lends to an atmosphere of sheer relaxation, whimsy and wild, and a time long since past. Absolutely fucking gorgeous music. Albums are Licht (Light), Zaubersprüche (Spell), Renaissance, Totem, Eden, Von den Elben (From the Elves), Luna, Midgard ~ Tour Edition, Märchen & Mythen (Fairy Tales & Myths), and Pagan.

(# 1)

[uhhhhmanda]

15 questions, 15 people

I was tagged by @fr-wiwiw! I was sure I had done this one but I can't find it on my blog so I probably did what I usually do, which is to agonize over every answer and then delete it halfway through, lol. So let's try again!

1. Are you named after anyone?

Yes! Spock's mother! Thank you, dad, for loving Star Trek and convincing my mom not to name me Kelsey Dawn.

2. When was the last time you cried?

Hold on, let me check my watchlist. I don't cry a lot (an interesting change that has happened in the last 10 years or so) but I know I just cried recently when I was watching a drama or a movie ... Ah! It was You Are My Secret, the cdrama.

3. Do you have kids?

No. My husband and I agree wholeheartedly on no human children. We've got two dogs and a cat that I'm way too attached to, though.

4. Do you use sarcasm a lot?

I have made a concerted effort to cut back. Now it's mostly just in texts to my husband.

5. What's the first thing you notice about people?

Depends on the person and the situation. Sometimes height, sometimes hair, sometimes clothes. If they are talking it might be a cool accent or interesting word choice or voice. Everyone is interesting in their own way.

6. What's your eye colour?

Hazel!

7. Scary movie or happy ending?

I love horror, so oth is ideal, but if I can't have happy I will take scary over sad. A sad ending can drag me down for a long time after a movie/show/book, but a scary one is fun to keep thinking about.

8. Any special talents?

Understanding thick accents (which is wild because I have auditory processing issues -- if you speak perfect English you are harder for me to understand than if you have an accent that a TV station would caption. the human brain is mysterious af).

9. Where were you born?

In a small town an hour north of Seattle, WA.

10. What are your hobbies?

Writing, reading, drawing, cooking, photography, watching Asian dramas. Once in a blue moon I post a vlog.

11. Do you have pets?

I have two dogs who are both approximately the same percetage of pit bull and german shepherd (they aren't related, we got dna tests) but their genes expressed in opposite directions, so Geordi looks like a pointy pit bull and Pepper looks like a short-haired GSD. We also have a weird cat named John Enwistle who overgrooms himself so that he looks like he's wearing a little bolero jacket or a crop top.

12. What sports do you/have you played?

I wanted to try soccer when I was little because one of my brothers was a soccer player. But no one told me the rules? Ever? And also mom wouldn't let me quit the team when it turned out that I fucking hated being watched by everyone's parents? So I spent the entire season standing on the corner of the field ignoring everything. Kind of a formative experience. It's on my Mention To Therapist list for when I finally can afford therapy.

13. How tall are you?

5'5"

14. Favourite subject in high school?

English.

15. Dream job?

I would love to make money off my art but I'd have to uhhhhh MAKE SOME ART to do that but I've got dysfunctional executives. Other things I'd love to do for money: forensic document examiner, architect, or book indexer.

I think everyone I want to see answer this has been tagged, but if you want to play PLEASE DO!

[ajoytobeheld]

The films of the year! (last year)

January 11th, 2010

Here in no particular order is my fail safe opinionated and completely flawed list of films I enjoyed the most last year. There are a lot of films I did not see, so for all “A Serious Man” and “Antichrist” lovers IM SORRY I DIDNT GET AROUND TO WATCHING THEM! They are on my ilovefilm list, honest. There are also some films missing which I thought were okay, but did not find them as effecting as others, e.g “Let The Right One In” and “Up” but that doesn’t mean I didn’t enjoy them, it just means I am a heartless bitch. Also my memory sucks so I probably left loads out too.

Drag me to hell!

An entertaining B movie pastiche of disgustingness and stupidity with Mr Raimi returning to his “Evil Dead” esque horror comedy roots after the awful “Spiderman 3.” Plus the heroine does battle with a evil handkerchief, and we all love it when linen goes bad.

Moon

Starring lots of Sam Rockwells and Kevin Spacey’s REALLY creepy voice, it’s budget allowed special effects which make “Red Dwarf” seem sophisticated but is a highly original and character driven Sci-Fi film. Yes, it was made by David Bowies son.

Zombie land

Best Bill Murray cameo I can remember.

Inglorious Basterds

This film got bafflingly average reviews despite the fact it is a complete return to form after the film about Kirk Russel killing women WITH HIS CAR!

The acting displayed from Christoph Waltz would make Daniel Day Lewis weep into his cobblers shoes, and the  scene in which the “Basterds” are undercover in the German bar….I was literally hanging off my seat, about to fall unto the floor, gripping the chair of the arm scared…..it was unrelentingly good. Even my mum liked it, and her favorite film is “Shirley Valentine.”

The Hurt Locker

This Katherine Bigelow piece tracks a bomb defusal squad in Iraq and although I am unsure about its slightly one sided patriotic message, it is still an educational, gripping and somewhat disturbing insight into the American army.

Frost/Nixon

One of my favorite films of last year, I knew little to nothing about Watergate or Nixon himself and this film made me learn things which normally I hate! plus Michael Sheen is always an incredibly watch-able and charismatic presence.

Star Trek

It could have sucked, it could have been a sacrilegious experience, but it was entertaining and sensitive to its origins.

Where The Wild Things Are

This is a incredibly brave and incredibly heartbreaking film which shows that Mr Jonze does not bend to the will of studios, it explores the confusion of childhood so perfectly and really pulls the “Stand By Me” esque punches. Perfect. BRING TISSUES.

In The Loop

I love Armando Iannucci very hard, plus its nice to know what “My Girl” is up to. The political ramifications this film depicts are also somewhat terrifying.

Hunger

I love Michael Fassbender very hard as well, and this biopic of political prisoner and hunger strike participant Bobby Sands is a uneasy viewing experience… he was also great in the disturbing “Eden Lake.”

Milk

A heartbreakingly beautiful biopic with the guy from High School Musical.

Public Enemies

There was something about this which sparked me despite its glaring errors and flaws (e.g filming on digital and Christian “continually disappointing” Bale.) I think its the unrelenting charisma of Marion Cottilard and Johnny Depp.

Coraline

A incredibly terrifying “kids” film with wreaths of imagination and darkness to boot.

My Least Favourite Film of the Year: (500) Days of Summer. It has to be seen to be believed how try hard and awful it is. I would recommend going out and watching it right now, honestly. Do it.

Ellen x

[wikibiofact]

Liam Neeson Net Worth 2023 unveiled: Wiki, & Biography

Liam Neeson made his professional acting debut in 1976 at Belfast's Lyric Players' Theatre. He subsequently relocated to Dublin and began working at the Abbey Theatre. In 1981, he had his breakout role as the lead in the film "Excalibur." He has starred in other films since then, including "Schindler's List," "Taken," and "Love Actually."

Neeson is also noted for his stage appearances. He made his Stage debut in 1993 as Matt Burke in Eugene O'Neill's reanimation of Anna Christie, for which he received a Tony Award nomination Best Stylish Actor in a Play. In 1998, he played Oscar Wilde in David Hare's The Judas Kiss. He submitted an alternate Tony Award candidature for his performance in Arthur Miller's The Crucible, which was revived on Broadway in 2002.

Career

Liam Neeson has a long and renowned acting career. The Northern Irish actor has proven his flexibility and brilliance in a range of roles, including dramas, comedies, and action pictures.

In Steven Spielberg's 1993 film "Schindler's List," Neeson plays Oskar Schindler, a troubled man.His portrayal gained him great praise and established him as a major actor.

In the years after, Neeson has continued to take on demanding parts, notably the lead in the 2008 action-thriller "Taken," which solidified his image as an action star. Friends, you must have seen the ever popular  television serials such as "Star Wars" and "The Chronicles of Narnia." he also starred in these.

Apart from performing, Neeson has provided narration for a number of projects, including documentaries and video games. He's even narrated a few films on his own Ireland.

Despite his fame, Neeson has encountered personal difficulties, including the untimely death of his wife in 2009. He has, nevertheless, continued to work and inspire audiences with his performances, establishing himself as a great artist and a popular person in the entertainment sector.

The Creation of Schindler's List and the Rising of Liam Neeson

Schindler's List is without a doubt one of the most widely appreciated films of all time.

Steven Spielberg's film depicts the tale of a German shopkeeper who rescued the lives and prevented the deaths of over a thousand Jewish immigrants during the Holocaust. The film's main character, Oskar Schindler, was performed by Irish actor Liam Neeson, who rose to international prominence and established himself as a major Hollywood actor. This article delves into the creation of Schindler's List and  Neeson's ascent to celebrity.

Offering the Role to Liam Neeson

Steven Spielberg had planned to produce a Holocaust film for years before deciding to make Schindler's List. When he saw Liam Neeson's performance in the Broadway play Anna Christie, he immediately offered him the lead role in his upcoming movie.Nevertheless, Neeson was not the only actor considered for the role; Kevin Costner, Mel Gibson, and Warren Beatty were all considered.Beatty even auditioned for the role. However, Spielberg eventually chose Neeson to play the part after he auditioned for it in December 1992.

Getting into Character

To prepare for the role, Neeson read Thomas Keneally's book, Schindler's Ark, on which the movie is based. He found that his character was not just a hero, but a flawed and complex individual who enjoyed manipulating the Nazis. As per Keneally's book, the Nazis viewed  Schindler as a fool. "If the Nazis were New Yorkers, he was from Arkansas," Neeson said. "They don't entirely take him seriously, and he exploited that to full effect." Neeson's subtle and dramatic performance in the film won him an Oscar nomination for Best Actor, as well as accolades for BAFTA and Golden Globes..

Liam Neeson's Subsequent Roles

Liam Neeson rose to prominence with his performance in Schindler's List. He starred in several period pieces, including Rob Roy (1995) and Michael Collins (1996). His effort in the latter won him the Venice Film Festival's Best Leading Role award and another Golden Globe nomination. He portrayed Jean Valjean in the 1998 film version of Victor Hugo's Les Misérables, and he portrayed Dr. David Marrow in The Haunting.

Conclusion

Schindler's List was a pioneering film that brought the atrocities of the Holocaust to a new generation's attention.

Liam Neeson's portrayal as Oskar Schindler was vital to the film's success, and it helped establish him as a Hollywood celebrity.. Neeson's nuanced portrayal of a complex character demonstrated his range and versatility as an actor, and paved the way for his success in subsequent roles.Schindler's List is still a compelling and crucial film, and Liam Neeson's role in it demonstrates his brilliance and talent as an actor.

Awards and recognition

The article describes Liam Neeson's illustrious and diverse career in acting, which began with his critically acclaimed performance in Pilgrim's Progress. He went on to deliver impressive performances in movies like Christiana, Excalibur, The Bounty, and TV show Play for Today. Neeson also honed his craft in theater and gained popularity for his action-oriented roles in Taken, The A-Team, and The Grey. His performances have garnered him a slew of honours and nominations, including those from the Irish Cinema and Television Academy and the Evening Standard British Film Awards. Neeson continues to captivate audiences with his recent appearances in Blacklight and Memory in 2022.

READ MORE

[ariel-seagull-wings]

The Most Common Types of Snow White in "Snow White" Adaptations

@princesssarisa @angelixgutz @faintingheroine @the-blue-fairie @softlytowardthesun @grimoireoffolkloreandfairytales @themousefromfantasyland

I made a list for most common Types of Cinderella. Now is fair that i make a list for the second most famous and most adapted fairy tale princess story of all time.

Interestingly, while Cinderella goes trough the most radical changes in different adaptations, Snow White still keeps a core essence in most of her portrayals: she is kind, idealistic and adored by most people around her who want to protect our heroin of the Wicked Queen.

But there are still subtle changes that make different types of portrayal appear on stage and screen.

And today i will present those six most common types.

The Wild Child

This encarnation of Snow White is playfull and energetic, a free spirit who loves playing outside and is very close to the forest and the animals, wich may make her look not very classicaly lady like because she doesn't botter much with messing her hair or dirting her clothes.

Of this tipe, the most strong representative is the portrayal by the 1988 anime Grimm's Fairy Tale Classics. The 1916 silent movie Snow White also is a precursor of this type of portrayal, but is an even more strong relative of the next type on the list.

The Princess Next Door

The Girl Next Door, but who was born a royal. This portrayal type doesn't have any formality, they will always talk with you and treat as an equal. She has no problem doing house chores like cooking and cleaning, and is probable she will be great doing the job. Its likely that her stepmother the Wicked Queen putted her to do those hard domestic jobs because she hoped Snow White would turn ugly in the proccess. But innocently the heroine didn't saw any malice, and like Pollyana joyfully went to the kitchen, while continuing to sing and be a generous friend to the Palace Maids, the Huntsman and the Animals.

What really shatters her innocent outlook is when the Huntsman reveals the Wicked Queen's desire to kill her and she has to run, but still, having become a friend of the Seven Dwarfs, she finds a place to keep being her spontaneous and joyfull self, and her joy spreads to the friends around her.

The 1916 silent movie Snow White was a precursor, but what really cemented this type of portrayal in popular culture was the 1937 Disney animated movie Snow White and The Seven Dwarfs, wich has since influenced portrayals like in the 1955 German-Turkish TV Movie Schneewitchen, the Turkish TV Movie Pamuk Prenses ve 7 Cüceler El Chapulin Colorado parody Blancanieves y los Siete Churin Churin Fun Flais and the Cannon Movie Tales 1987 movie musical adaptation.

The Ethereal Youth

This is a more passive type of Snow White, closer to the Brothers Grimm tale: she is beautifull, sweet and gracefull, and the story follows less her point of view and desires, and focus more on how the other characters react to her. She is more of a simbol, almost divine, in how her unatainable beauty and grace is adored by the other characters around, rather than a palpable flesh and bone person. The portrayal in the Emilio Aragon ballet and the Luigi Zaninelli opera are very strong representatives of that portrayal type.

The Lonely Beauty

This type of Snow White portrayal is sad and melancholic, because she misses her father, who is neglectfull to her, and doesn't understand why her stepmother acts hostile when she tries to befriend her. She is tired of people praising her beauty, because she feels they are only adoring her from afar, but don’t actually come close to know her as a person.

When she goes to live in the Seven Dwarfs cottage, she finds in them the loving and atentious family she always longed for.

The versions presented by the 1983 Faerie Tale Theatre series episode, the 2001 Hallmark Channel TV Movie Snow White The Fairest of them All and the 2009 series Sechs Auf Einen Streich follow this type.

The Spoiled Royal Brat

This is a more flawed type: a Snow White who, having grown with the privileges of a Princess, becomes an entitled and futile person that demands people cater to her every wish, and slowly experiences a character ark of becoming more humble, diligent worker and not take people for granted, but actually respect their humanity and become a better friend to them.

The portrayals by the 1992 TV Movie Schneewitchen, the 2007 Shrek 3 animated movie and the 2010 animated movie Happily N'Ever After 2 are memorable examples of this type of portrayal.

The Kind and Courageous Leader

This type of Snow White is the heroine of an adventure tale.

She is not only hiding and conformed with surviving.

She wants something. That something can be uncover a mystery about her father's disappearance, reunite with her beloved childhood friend the Prince, or an revolution to put down the opressive rule of the Wicked Queen.

She can either be an intelectual strategist who becomes a leader thanks to her kindness and loyalty (wich inspires the Dwarfs and other characters to do acts of bravery to help her), without necessarily fight with swords, or indeed she can be a gracefull warrior with ability in archery and swordfithing.

The representatives of this type of Snow White are present in the 1994 anime series The Legend of Snow White, the 2019 animated movie Red Shoes and the Seven Dwarfs, the 2012 movie live action Mirror Mirror and the 2011 live action series Once Upon a Time. The Hallmark minisseries The 10th Kingdom presents a combination between Lonely Beauty, Ethereal Youth and Kind and Courageous Leader.

What are your favorite types of Snow White portrayals?

[blackandwhitecircus]

(Some of) My favourie Movie Posters of 2022 (so far)

Some of you may know I work at a movie theater and as such I have developed...opinions on movie posters. I have no background in graphic design or marketing, I simply have to look at these all day.

Spencer

Yes I know this was a 2021 release, but we were still showing it in February so I'm counting it. And I mean...look at it, it's gorgeous. I am absolutely in love with this poster and I made sure we put it up whenever possible (there was an alternative one that was nice but not this beautiful).

Everything Everywhere All At Once

No best of 2022 list is complete without EEAAO and that extends to the poster. This poster has everything. So much of the stuff that happens in the film is represented on it and it also captures its ridicoulous energy. No notes.

Blutsauger - Eine Marxistische Vampirkomödie

Now this is a german movie that no one saw, which is a shame cause I adored it. And it's poster too. Once again it representes a lot of the stuff that happens in the film while also perfectly capturing it's energy. The painting/collage look of it is great and I loved having it around.

The Batman

Now this isn't a poster we had at my theatre but one I spotted "in the wild". I saw three of these next to each other in London and from afar they really looked like spray painted question marks. It's only when I got closer that I realized what they were and instantly fell in love.

Where The Crawdads Sing

And finally the one I like the most out of the ones whe currently have up. It reminds me of this haunting of Hill House poster I really like

I see it as a slight improvement on the same concept.

[fuckyeahwomenfilmdirectors]

10 Most Anticipated of 2021

Yes, 2021 is 1/12 done. Oh well, better late than never with this list. Here are a few films by some great directors that I look forward to watching this year:

Don't Worry Darling dir. Olivia Wilde

I was totally charmed by Wilde’s directorial debut (which was co-written by Susanna Fogel a pretty charming director in her own right). Don’t Worry is a period piece about an unhappy housewife boasting an all star cast including Florence Pugh, Kiki Layne, Harry Styles and Gemma Chan. At the very least it will be beautiful to look at.

Little Mother dir. Céline Sciamma

Not much has been said about Sciamma’s 5th film aside from the fact that it will focus on the friendship between two 8 year olds in Paris but a new Sciamma film is always a cause for celebration.

The Nightingale dir. Mélanie Laurent

This was supposed to come out last year but covid-19 completely mangled the shooting schedule and it was pushed back a year. The film features the real life Fanning sisters (Dakota and Elle) playing French sisters trying to survive in German occupied France during WWII.

Marry Me dir. Kat Coiro

I make no secret about the fact that I love a good romcom and this one sounds delightful. Jennifer Lopez will play a pop star who at the last second marries a fan instead of her celebrity partner she’s discovered is unfaithful. It sounds delightfully tropey, like a screwball comedy. I can’t wait. It’s also good to see Coiro back in the directing seat again. She made a slew of solid indies before disappearing into TV work.

The Matrix 4 dir. Lana Wachowski

I kind of rolled my eyes when I first heard about this because it seemed like a cash grab from the WB. The last Matrix movie came out in 2003! Yet everything I keep hearing about it sounds bananas. Details have been kept under wraps but the leaks sound bizarre and meta (the Matrix trilogy exists in world in the Matrix 4 which means Keanu Reeves plays Keanu Reeves who is actually Neo???) I don’t know if this is real but I can’t wait to find out. 

Passing dir. Rebecca Hall

An adaptation of Nella Larsen’s novel of the same name Passing is about two women, both of whom appear white but have black heritage and one of whom decides to live a life passing as white and the other who doesn’t. It’s personal material for Hall who has a black parent.

Persuasion dir. Mahalia Belo

This is probably going to be a 2022 film but I’m already excited for it. An adaptation of Jane Austen’s novel Persuasion the film will follow former flames Anne Elliot and Captain Wentworth who reunite later in life when their fortunes are reversed. One of my favourite Austen adaptations this one is also written by Jessica Swale (who wrote and directed Summerland) and looks to race-bend Wentworth’s character (which actually would work extremely well with the story). I love it, I can’t wait, and I’m excited that there will be another “straight” adaptation of Austen’s work directed by a woman (in addition to all the modernizations and spin-offs).

The Power of the Dog dir. Jane Campion

This is not a drill people! Campion is back with her first movie since 2009!  Based on the book of the same name by Thomas Savage it follows two brothers who fall out over one brother’s new wife. Kirsten Dunst is in it and I can’t think of a better match up than Campion and Dunst, both of whom have championed women directors (well, white women directors) over the years.  

The Story of My Wife dir. Ildikó Enyedi

This was supposed to come out last year but covid-19 disrupted its scheduled release. Based on a novel of the same name The Story is about a man who makes a bet that he will marry the next woman to walk into a café and then becomes jealously obsessed with her once he succeeds. Léa Seydoux is the titular wife but I’m more fascinated with what Enyedi will do with the material as she’s such a thoughtful charming and playful director.

Women Talking dir. Sarah Polley

It has been a decade since Polley last directed a film, her amazing self-reflective documentary Stories We Tell. Well she’s back, uniting with Frances McDormand to adapt this novel by Miriam Toews about a group of Mennonite who have been given an unbearable choice: to either forgive and welcome serial rapists and leaders of their community back into the fold or be expelled themselves. Heavy stuff that I have confidence Polley will adapt thoughtfully.

[coolnerdyandalone]

on FIMQ deleting her content and COVID-19 (and a gratuitous larry fic rec)

@freddiesmyqueen first of all queen i hope you’re doing ok although i know some shit must have gone down for you to delete/private list all your videos and i hope you know that the larry community supports you always. Also your talent is TRULY unmatched in the world of video editing - no one makes edits quite like you and that’s why your loss impacts the community so profoundly. 

secondly, i know at least i was hoping to turn to rewatching all of FIMQ’s videos while i’m being quarantined due to the coronavirus. and i’m willing to bet that i’m not the only one. this is a scary time and for people like me who feel profoundly alone right now, the only way for me to calm my nerves and fears is by reverting to the content and community that helped me feel not so alone when i was in middle and high school. For me, that looks like watching FIMQ videos and reading my favorite larry fanfics (which i will also link below).  because of this i thought it might be helpful to repost some links that were posted by @bluemoonlarryandkaylor for a signal boost (if my teeny-tiny account can be called a signal boost). 

link to a google drive with FIMQ videos: https://drive.google.com/drive/folders/1ONwfLOd_IYvAL5OUDqDb_LLgQsDpd9il

link to an acct with some FIMQ re-uploads: https://www.youtube.com/user/Joana3961/videos

link to FIMQ vids with spanish subtitles: https://www.youtube.com/playlist?list=PLIouodFhArMkQhOHxv2t2NgxTwl6KvXAT

and now if you want to look at some good old fashioned larry fics that are my ABSOLUTE faves and could 100% be actual novels/movies, keep reading:

And Then A Bit** by @infinitelymint aka the best fanfic ever written (basically larry fakes a relationship for publicity with each other and it could be cannon if you really wanted to hope upon hopes): https://archiveofourown.org/works/1415272/chapters/2972746 (159k)

“We’d like to give the fans what they want.” Magee states, placing his hand on the table in front of him and leaning forward. “We want to give them Larry Stylinson.”

Or, take a parallel universe where Louis and Harry were never together, mix in a two year hiatus and an impending comeback, pour in a dash of lost fans, two tablespoons of strong friendship and a Modest! employee with a good idea. Add a squeeze of pretending to be a couple, lots of kisses and a tattoo or two. Stir. Serve: the mother of all publicity stunts.

(aka Harry and Louis fake a relationship for publicity. Eventually it becomes a lot less fake and a lot more real.)

Escapade** by @haydolce aka the Jack McQueen fic: https://archiveofourown.org/works/4034197/chapters/9071932 (146k)

In the grand scheme of things, finding a date for a wedding should be no problem for Louis Tomlinson. He's rich. He's handsome. He's reasonably well behaved. But when the wedding is for his lifelong best friend (and former boyfriend), and is happening in under a month, finding a date for the ceremony and accompanying festivities becomes more of an adventure than he ever could have planned for.

California Sold** by @isthatyoularry​ : https://archiveofourown.org/works/5157680/chapters/11877494 (123k)

Notoriously closeted boyband member Harry Styles is famous on a global scale, meanwhile Louis, as his best friend, is back home in Manchester, living the typical life of a 24 year old. When Harry needs Louis with him in LA, a publicity stunt gone wrong changes their friendship forever.

A fake-relationship AU between two lifelong best friends.

Bring Your Body Baby (I Could Bring You Fame) by @theboyfriendstagram : https://archiveofourown.org/works/4263903/chapters/9652944 (84k)

Eighteen year old Harry Styles just graduated high school and landed a summer job as a waterboy for his favorite football team. His job description is simple: be ready to hand water and towels to players if needed. That didn’t seem to include Louis Tomlinson though, a twenty-three year old, recently transferred Paris Saint-German player, who seems to like making Harry’s job much more difficult than it has to be.

OR  

A self-indulgent AU that takes place over the summer of 2015. 18 year old Harry hates pining after people he can't have, and 23 year old footballer Louis loves flirting with people even though it never means anything.

Pull Me Under** by @zarah5 : https://archiveofourown.org/works/870766/chapters/1672104 (140k)

AU. As the first British footballer to come out at the prime of his career, it helps that Louis Tomlinson is in a long-term, committed relationship. Even if that relationship is fake. (Featuring Niall as Louis' favourite teammate, Liam as Louis' agent, and Zayn as Liam's boyfriend, who just happens to be good friends with one Harry Styles.) 

You You You** by @isthatyoularry : https://archiveofourown.org/works/846690/chapters/1617212 (137k)

“Infamous boybander leaves club together with unknown,” read the headline. Underneath were pictures of a boy with dark curls, green eyes and very tight pants. They both studied the article for a moment, reading it through quickly. “Is that…?” Louis frowned. That guy almost looked exactly like... "HOLY FUCKING SHIT!" "Louis," Niall said, looking absolutely fucked over. "You just fucked the most wanted guy on earth. You just fucked Harry Styles of One Direction."

Or, the one where Harry and Louis meet at a club and Louis takes Harry home, only for him to realize that the boy who just made him breakfast half naked is Harry Styles from One Direction.

Like an Endless Summer by @horsegirlharry : https://archiveofourown.org/works/11365494/chapters/25442085 (87k)

“You just wanna go fawn over Styles as soon as possible,” Zayn grumbles.

“I do not. Plus, he probably got ugly this year. Eighteen is an awkward time...I bet he’s got acne and one of those terrible fuckboy haircuts all the hipsters are getting these days, with the shaved sides? Just watch, the first year we’re gonna get any time together is gonna be the first year I don’t have a stupid crush on him.”

---

Or, Louis is a riding instructor at a summer camp, and Harry is a fellow counselor who he’s been successfully managing his crush on for the last two summers. That is, until Harry shows up this year leveled up and lethal, and all Louis’s formerly perfected veneer of nonchalance melts like a popsicle in the sun.

Three French Hems by @100percentsassy and @gloriaandrews : https://archiveofourown.org/works/3064493 (20k)

In which Louis is a designer at Burberry and Harry spends December wearing Lanvin… and Lanvin… and Lanvin.

The Dead of July aka the Marvel Fic by @whimsicule  : https://archiveofourown.org/works/3594570/chapters/7928520 (117k)

Being an Avenger means continuing to be Captain America and smiling and being honorable for the public and Harry does his best. But it doesn’t give him time to figure out who he is supposed to be once he takes off his uniform and puts the shield to the side. Just being Harry had always involved Louis, and Harry fears he doesn’t know how to exist without him.

or: Harry is Captain America, and Louis’ been dead for 70 years.

Gods & Monsters by  @mizzwilde : https://archiveofourown.org/works/2090982/chapters/4550871 (201k)

The instructions were simple: seduce and destroy Harry Styles. Not once did they discuss the option of Louis actually falling in love. So, naturally, that's exactly what he did.

Love is a Rebellious Bird aka LIARB aka the orchestra fic aka dont hum bolero by @100percentsassy and @gloriaandrews : https://archiveofourown.org/works/1162438/chapters/2362331 (135k)

AU in which the boys still make music. Louis is the concertmaster of the London Symphony Orchestra, Harry is the New! and Exciting! interim conductor/ex-cello prodigy who "has made Mozart cool again" according to Esquire Magazine (Louis hates him immediately, which is definitely why he internet stalked him in his dark bedroom late at night that one time), and Niall is the best. Zayn and Liam are around too.

Don't hum Bolero.

My English Love Affair** by @isthatyoularry​ : https://archiveofourown.org/works/1873962 (19k)

The thing about sleeping with a member of a famous indie band is that the inevitability of having a song written about you is most likely a hundred percent. The second thing is that in the end, nobody's supposed to find out it's about you.

The one where Harry writes a song about his English love affair and Louis sleeps with someone in White Eskimo and all he gets is a stupid song written about him.

Soft Hands, Fast Feet, Can’t Lose by @haydolce : https://archiveofourown.org/works/5799241/chapters/13366498 (113k)

American Uni AU. Harry Styles is a frat boy football star from the wealthy Styles Family athletic dynasty. A celebrity among football fans, he knows how to play, he knows how to party, and he knows how to fuck (all of which is well known among his legion of admirers).

Louis Tomlinson is a student and an athlete, but his similarities to Harry end there. Intelligent, focused, independent, and completely uninterested in Harry’s charms, Louis is an anomaly in a world ruled by football.

A bet about the pair, who might be more similar than they originally thought, brings them together. Shakespeare, ballet, Disney, football, library chats, running, accidental spooning, Daredevil and Domino’s Pizza all blend into one big friendship Frappucino, but who will win in the end?

Wild and Unruly aka the Cowboy fic by @100percentsassy and @gloriaandrews : https://archiveofourown.org/works/2723093/chapters/6099611 (124k)

Harry is a cowboy sitting on the biggest oil reservoir in Wyoming, and Louis is the paralegal assigned to pressure him into selling his land.

For As Long As I Can Remember (It’s Been December)** by @greenfeelings​ : https://archiveofourown.org/works/15051122/chapters/34892210 (128k)

After recovering from a severe accident that causes Harry to lose his memory of three years, he moves to London to start his life over as a star chef. Little does he know that when he falls in love with Louis at first sight, it’s not the first time they meet.

Featuring an unintentional game of hot and cold, Harry chasing memories that won’t come back, Louis burying himself in work to try and forget what he can’t forget, Liam being torn between two of his best friends, Zayn as a moral compass and Niall saving the day with good music and brutal honesty.

the boys of fall** aka the american football fic by @godgavemelou​ : https://archiveofourown.org/works/5443037 (21k)

“And everyone, this is Harry Styles. He’s going to be our starting quarterback this year.”

Louis looks at him, the tall and lanky Harry Styles, and takes it all in. He’s got hair to his shoulders that curls at the ends, tattoos all down his arms, and a bright smile on his face as the team cheers him on. He’s lean and fit, and absolutely beautiful, and Louis hates him to the core.

OR an american football au where the boys play for the university of tennessee, and harry and louis quite hate each other.

** indicates that the fic is a log-in required fic, but if you want the pdf i can send it to you

[persephonediary]

What are your favorite books and movies? <3

OMG my 1st Ask, thank you Anon, it made my day 🥹💗

So… I’ll try to make it as short as possible (I’m very talkative sorry 🥲)

Favourite Films:

•Dead Poets Society • A Royal Affair

•Phantom of the Opera • Atonement

• The Wind That Shakes The Barley

• Anna Karenina( The BBC was the best but loved the film with Keira Knightley too 💕)

•The Schindler’s List •The Edge of Love

•Lost In Translation • Marie Antoinette

•La Piscine • Les Demoiselles de Rochefort

• Les Parapluies de Cherbourg 💗

I love french cinema, la Nouvelle Vague 🤌 Period Dramas, Historical Romance 💕

Favourite Books :

•Dracula, Bram Stoker 💗

•Anna Karenina, Leo Tolstoy 💗

•Madame Bovary, Gustave Flaubert

•The Picture of Dorian Grey, Oscar Wilde (love of my life)💗

•The Brothers Karamazov, Fyodor Dostoyevsky

•Candide, Voltaire •Le Père Goriot, Balzac

• The Song of Achilles, Madeline Miller

•If We Were Villains, M.L Rio

•The Bookshop, Penelope Fitzgerald

• Faust, J.W. von Goethe (also the love of my life 💗)

• Anything & everything written by Jane Austen & Charles Dickens

•Perpetually obsessing over the diaries of Franz Kafka & of Sylvia Plath 💗😭

•Baudelaire, Verlaine, Victor Hugo 💗

•The Women Destroyed, Simone de Beauvoir (all of her work is a brilliant)

• I Love Love Love love letters:

-Nabokov’s letters to Véra

-Vita Sackville West & Virginia Woolf’s love letters

-Lettre à Anne, François Mitterrand (if you can get pass the cheating bit haha their incredibly beautiful 🥹)

Same themes when it comes to books, my heart belongs to classic literature (Russian, French, German, English, Irish being my favourites), I also love mythology and philosophy. Anything romantic really haha, angst, drama, passion I love it all 💗

I tried to make it as short as possible, but I’m always open to literature and film related asks or DMs. I breathe and live for art, literature and cinema (thus this wee bit dramatic statement haha)

[introvertguide]

Influential Directors of the Silent Film Era

Upon hearing that I am a fan of silent era film, people will ask if I have a favorite actor or movie from the time period. However, when I am asked about my favorites from other fans of silent film, it tends to involve my favorite director. This is because silent film actors had to over gesticulate and performed in an unrealistic way and could not use their tone or words to convey emotion. The directors also did not have a way to review as they shot and would have to use editing skills and strategic cover shots to make sure that everything was done properly and come out the way they imagined it. It was up to the director to be creative and they were forced to be innovative and create ways to convey their vision. Luckily for many average or poor directors of the time, audiences were easily impressed. However, today's more demanding and sophisticated audiences can look back at some of the genius behind the films of silent era Hollywood.

Alice Guy-Blache: Matrimony's Speed Limit (1913) and The Fairy of the Cabbages (1896)

Art director of the film studio The Solax Company, the largest pre-Hollywood movie studio, and camera operator for the France based Gaumont Studio headed up by Louis Lemiere, this woman was a director before any kind of gender expectations were even established. She was a pioneer of the use of audio recordings in conjunction with images and the first filmmaker to systematically develop narrative filming. Guy-Blanche didn't just record an image but used editing and juxtaposition to reveal a story behind the moving pictures. In 1914, when Hollywood studios hired almost exclusively upper class white men as directors, she famously said that there was nothing involved in the staging of a movie that a woman could not do just as easily as a man.

Charlie Chaplin: The Kid (1921), The Gold Rush (1923), City Lights (1931), Modern Times (1936), and The Great Dictator (1940)

It is unfortunate that many people today think of Chaplin as silly or for screwball comedy when, in fact, he was a great satirist of the time. He created his comedy through the eyes of the lower economic class that suffered indignities over which they had no control. He traversed the world as his "Tramp" character who found his fortune by being amiable and lucky. The idea that a good attitude and a turn of luck could result in happiness was all that many Americans had during the World Wars and the Great Depression. He played the part of the sad clown and he was eventually kicked out of the country for poking fun at American society. Today he is beloved for his work, but he was more infamous than famous during a large part of his life.

Buster Keaton: Sherlock Jr. (1924), The General (1926), and The Cameraman (1928).

That man that performed the most dangerous of stunts with a deadpan expression, Buster Keaton was a great actor, athlete, stuntman, writer, producer, and director. It is amazing that you could get so much emotion out of a silent actor who does not emote, but Keaton managed to do it. He was also never afraid to go big, often putting his own well being at risk to capture a good shot. Not as well known for his cinematography or editing as many of the other directors of the time, he instead captured performances that were amazing no matter how they were filmed. Famous stunts include the side of a house falling down around him, standing on the front of a moving train, sitting on the side rail of a moving train, and grabbing on to a speeding car with one hand to hitch a ride. If you like films by Jackie Chan, know that he models his films after the work of Buster Keaton: high action and high comedy.

Cecil B. Demille: The Cheat (1915), Male and Female (1919), and The Ten Commandments (1923)

Known as the father of the Hollywood motion picture industry, Demille was the first director to make a real box office hit. He is likely best known for making The Ten Commandments in 1923 and then remaking it again in 1956. If not that, he was also known for his scandalous dramas that depicted women in the nude. This was pre-Code silent film so the rules about what could be shown had not been established. Demille made 30 large production successful films in the silent era and was the most famous director of the time which gave him a lot of freedom. His trademarks were Roman orgies, battles with large wild animals, and large bath scenes. His films are not what most modern film watchers think of when they are considering silent films. That famous quote from the movie Sunset Boulevard in 1950 in which the fading silent actress says "All right, Mr. Demille. I'm ready for my close-up," is referring to this director.

D.W. Griffith: Birth of a Nation (1915) and Intolerance (1916)

Griffith started making films in 1908 and put out just about everything that he recorded. He made 482 films between 1908 and 1914, although most of these were shorts. His most famous film today is absolutely Birth of a Nation and it is one of the most outlandishly racist films of the time. The depiction of black Americans as evil and the Klu Klux Klan as heroes who are protecting the nation didn't even really go over well at that time. Some believe that his follow up the next year called Intolerance was an apology, but the film actually addresses religious and class intolerance and avoids the topic of racism. At the time, Griffith films were known for the massive sets and casts of thousands of extras, but today he is known for his racist social commentary.

Sergei Eisenstein: Battleship Potemkin (1925)

This eccentric Russian director was a pioneer of film theory and the use of montage to show the passage of time. His reputation at the time would probably be similar to Tim Burton or maybe David Lynch. He had a very specific strange style that made his films different from any others. The film Battleship Potemkin is considered to be one of the best movies of all time as rated by Sight and Sound, and generally considered as a great experimental film that found fame in Hollywood as well as Russia.

F.W. Murnau: Nosferatu (1922), Faust (1926), and Sunrise: A Song of Two Humans (1927)

I think that most people would know the bald-headed long-nailed vampire Nosferatu that was a silent era phenomena. It was so iconic that the German film studio that produced the movie was sued by the estate of Bram Stoker and had to close. Faust was his last big budget German film and has an iconic shot of the demon Mephisto raining plague down on a town that was the inspiration for the Demon Mountain in Fantasia (1940). Also, Sunrise is considered one of the best movies of all time by the AFI and by Sight and Sound as well as my favorite silent film. Fun facts: 1) more of Murnau's films have been lost then are still watchable and 2) he died in a car wreck at only 40 when he hired a car to drive up the California coast and the driver was only 14.

Erich von Stroheim: Greed (1924)

Maker of very strange German Expressionist films, Stroheim films are often listed as Horror or Mystery even though he considered himself a dramatic film maker. His most famous movie Greed was supposed to be amazing with an 8 hour run time but it was cut drastically to the point that it makes no sense and was both critically and publicly panned when an extremely abridged version was released in the U.S. Over half the film was lost and a complete version no longer exists. Besides this film, Stroheim was even better known for being the butler in the film Sunset Boulevard as a former director who retired to be with an aging silent film star. He also made a movie called Between Two Women (1937) that told the story of a female burn victim that was inspired by the story of his wife being burned in an explosion in a shop on the actual Sunset Boulevard.

Victor Fleming: The Wizard of Oz (1939) and Gone With the Wind (1939)

Although not known for his silent films, Fleming did get his start during the silent era. He was a cinematographer for D.W. Griffith and then Fleming directed his first film in 1919. Most of his silent films were swashbuckling action movies with Douglas Fairbanks or formulaic westerns. He is the only director to have two films on the AFI top 10 and they happened to have come out the same year.

Hal Roach: Lonesome Luke films starring Harold Lloyd, Our Gang shorts, Laurel and Hardy shorts, and Of Mice and Men (1939)

It is not really fair to put Hal Roach in the silent era directors because he was influential at the time but he had a 75 year career. He was a producer and film studio head and even had a studio named after himself. His biggest contribution to the silent era was his production of Harold Lloyd short comedies and he continued to produce films in the early talkies including Laurel and Hardy shorts, Our Gang shorts, and Wil Rogers films. Roach was the inspiration for the film Sullivan's Travels, in which a famous director who only did frivolous comedies goes out into the world to find inspiration to find a serious drama. Roach did direct a single serious drama, Of Mice and Men, but it came out in 1939 and was buried underneath the works of Victor Fleming. The wealthy cigar smoking studio head that many people think of when they picture a film studio suit is based on this guy. The man would not quit and stayed in the business into his 90s and lived to the ripe old age of 100.

[thethistlegirl]

1. What’s your favorite character(s) to write for?

7. What story/headcanons do you feel the proudest of? 

10. What is the line you’re proudest of from "The bones of the past are not my burden to bear"? 

11. How would you describe your style? (Character/emotion/action-driven, etc)

12. Who is your favorite author? 

15. What is the fanfic you’ve written that you’re most proud of? 

17. What fanfic tropes do you gravitate to writing for? 

21. Is there an idea you’ve always wanted to write, but haven’t yet? 

22. Do you enjoy making OCs for your fanfics, or prefer sticking to canon characters? 

29. What part of the writing process do you enjoy the most? (Brainstorming, outlining, writing, editing, etc) 

32. What story do you think showcases your signature style the most? 

34. Have you felt emotional while writing a scene before? What scene was it?

36. What fanfic of yours has the symbolism you’re proudest of? 

37. Would you ever collaborate with another writer for a story? 

1. That's a REALLY good question…I would have to say there’s characters I like writing because they remind me of me, and then characters I like writing because they are fun to play with and write. So I’ll list three for each category:

Relatable:

Thomas Magnum - Remarkably ADHD coded, forgets important things and struggles with basic adulting stuff

Jack Dalton - The protective streak is real, as is the determination to be the one who takes the hits for everyone else

Desi Nguyen - Probably the character I tend to project on most when writing Wunderkind

Fun to write:

Murdoc - He’s the best kind of twisted villain who does things because he can

Samantha Cage - It’s insanely hard to write her mind games but when it works it’s top tier

Quincey Morris - Complete chaos and keeps telling me stories that have nothing to do with what I’m trying to write, but are great anyway

7. The headcanon I’m proudest of right now comes from “The bones of the past are not my burden to bear” about a movie set in WWII and it’s that because Ted Brinkerhoff’s last name is German-sounding, his family was of German origin, and he’s working in a special operations group because he speaks German like a native and thus can be trusted to pull off a believable undercover.

10. “It was the only language they knew how to say how much they cared in the right words in, and somehow that made me a monster.”

11. I would say character driven. There’s usually a plot, but that’s secondary to me to the characters themselves, and if the plot isn’t working around them, I’ll change it. I spend a lot more time making sure my characters are IN character (or at least in the version of their character that I think makes sense) than planning a logical plot, and it probably shows, but I don’t care.

12. There are, again, three I’m torn between at the moment: Bram Stoker (His characters are fantastic and so is the whump in Dracula, I got most of my vampire stuff from there) Victor Hugo (I love his complex characters, and once again there’s a pattern of authors who put their characters through hell and back) and Charles Dickens (again…I’m sure that has nothing whatsoever to do with the way he puts his characters through a ton of crazy stuff and often writes in really wild familial relation reveals).

15. Wunderkind. This fic is massive, and I love the way I was able to overhaul canon and create a cohesive and logical storyline that carries through it. I can’t believe how big this series is now or that I wrote that much, and I can’t help but feel like that’s probably my biggest accomplishment fic-wise.

17. Definitely whump (especially long term captivity and dark concepts), usually rivals to friends in partnerships, disastrous first meetings, partnerships that by all rights should never work but do, stranding characters who are very different and forcing them to work together.

21. Yes! An accidental baby acquisition fic for the three suitors from Dracula. Because I need those three seasoned adventurers trying very hard to figure out what on earth to do with a baby…And Quincey singing lullabies is going to be SUPER fun to write.

22. It depends! I like making OCs for larger works and getting the time and space to flesh them out. I don’t often create them for small one shots except as background characters, but there are some that I have who are more deeply built out and have a life of their own, but most often, I use canon characters who have little to no development in canon and make them bigger parts of the story.

29. Probably brainstorming, because anything is possible there. Once I write, I commit to one story, and it’s a certain track (or mostly so). But in brainstorming I can take a plot any of a hundred ways.

32. Answered in my last ask!

34. The one I remember best at the moment is the S3 “Christmas Special” for Wunderkind, the moment Jack sees his dad and is told that it’s not time for him to die yet. I can never make it through that part without tears. Any time I write a scene like that it kills me.

36. I think I’m proudest of how I reworked the Phoenix motif in Wunderkind. It’s incredibly fitting given the past Mac is leaving behind him, and it was really fun to make that the moniker he was given as a vigilante.

37. I actually have in the past, so absolutely would do it again!